Sony Cyber-Shot DSC-RX100 III 20.1MP Digital Camera


  • 20.1MP 1″ Exmor R BSI CMOS Sensor
  • BIONZ X Image Processor
  • Zeiss Vario-Sonnar T* f/1.8-2.8 Lens
  • 24-70mm (35mm Equivalent)
  • 1440k-Dot OLED Tru-Finder Pop-Up EVF
  • 3.0″ 1229k-Dot Multi-Angle Xtra Fine LCD
  • Full HD Video in XAVC S, Clean HDMI Out
  • Built-In Wi-Fi Connectivity with NFC
  • ISO 12800 and 10 fps Continuous Shooting
  • Manual Control Ring & Built-In ND Filter

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The RX100 III strikes a parity significantly more like that of Panasonic’s LX arrangement – an all the more reliably quick lens and more extensive edge beginning stage, with the exchange off of less reach at the telephoto end. On the RX100 III, Sony is utilizing another 24-70mm proportional F1.8-2.8 lens, which is both quicker and more extensive than what was on its antecedents, however to the detriment of telephoto force. When you consolidate its quick lens and bigger than-normal sensor measure, the RX100 III guarantees more grounded low light execution and shallower profundity of-field at the telephoto end than most other aficionado compacts.

While the lens is undoubtedly noteworthy, the component that will presumably get the most consideration is the RX100 III’s pop-up electronic viewfinder which, to the extent we know, has never been finished. In addition to the fact that it is “cool,” it gives you the adaptability of having an EVF accessible at all times, without adding huge mass to the camera. The incorporation of a viewfinder puts the RX100 III in exceptionally select organization, even amongst lover compacts.

Plan and Features:

As said over, the lens on the RX100 III is significantly quicker than its forerunners, however the telephoto end of the lens now stops at 70mm, rather than 100mm of the RX100 Mark I and II. What’s great, however, is the means by which Sony could make a much quicker lens with just a little increment in camera size.

To permit those splendid most extreme gaps (alongside the lower levels of diffraction and shallower profundity of-field they bring) over a more extensive scope of circumstances, Sony has figured out how to fit in an unbiased thickness channel. This can be occupied with splendid light, when the 1/2000 sec most extreme shade rate isn’t adequately quick. It additionally permits the utilization of wide openings when utilizing the long exposures that film shooting requires.

There’s significantly more to the RX100 III than simply the lens and EVF, however – particularly with regards to video. The RX100 II was positively the genuine article in that office, and the Mark III offers some real change. The first is full sensor readout, which takes into account higher determination video than your regular smaller (or tradable lens) camera, an element we first saw on the Cyber-shot DSC-RX10. The RX100 III likewise bolsters the XAVC S codec, taking into account 1080/60p recording at 50Mbps, which is an extensive change over the 24 and 28Mbps rates on the Mark II. The RX100 III can likewise yield “clean” HDMI video over its HDMI port.

Something we didn’t especially administer to on the past two RX100’s was the shooting knowledge. The UI, messed controls, and, specifically, the “clickless” wheel around the lens that gave no material input just took the “enjoyment” out of utilizing the RX100 Mark I and II. While the EVF ought to make open air photography more lovely and there have been minor changes to the UI, there hasn’t been as much change as we were seeking after.

Few smaller cameras have accumulated as much consideration as the Sony Cyber-shot RX100 and RX100 II. Sony had figured out how to crush a much greater sensor into a few cameras just somewhat bigger than the Canon S-arrangement lover compacts. Also, just the same as the S-arrangement and Fujifilm’s XQ1 they struck a down to business equalization between zoom reach and lens speed. They could gloat a F1.8 lens at the wide end of things, yet were down to a less great F4.9 at the full degree of their zooms.


We’ve as of now let you know that the RX100 III’s lens is a great deal more yearning than those of its ancestors, offering a highly enhanced most extreme gap range and a more extensive beginning stage (if its all the same to you the drop in telephoto reach). Sony is tremendously pleased with one of the advances it has built up: the blend of two aspherical lens components. This has been critical to permitting such a wide and brilliant lens to be incorporated with such a smaller outline. The lens can center as close as 5cm at wide-point and 30cm at the long end of the zoom.


Additional information

Weight 2 kg